Description
The piece transports the viewer to a peculiar space, set in the world of imagination. An intangible existence, in which the adored musical genius appears in our current world, where values can often be incomprehensibly mixed up. The choreographer and our ensemble approach the legacy of the world-famous son of our homeland with respect. Zachár began his career at the Budapest Dance Theatre, then worked with the greatest choreographers in Holland. In this work, the spirit of the creators is connected through time and space.
"Lisztomania" is a term coined by Heinrich Heine, which he used somewhat sarcastically in one of his newspaper articles. He was referring to the abnormal reactions his fans had to Liszt's concert virtuoso career in the 1840s. Liszt was the first megastar who consciously built up his image; he was the first to give a solo recital where he performed alone, he turned the piano, which had previously faced away from the audience, to face them, and he captivated even his detractors with his fireworks-like virtuosity and deep emotional expression. However, he did all this not for self-indulgent exhibitionism, but to enhance the power and social esteem of his art. The choreographer and our ensemble approach the legacy of this world-famous compatriot with respect and pride.
Choreography by Lóránd Zachár
Music: Franz Liszt, montage
Lighting: Béla Földi
